- Diagram in the sky
- Place-value columns with an empty place
- Emblem at the source
- A counting board with one column left empty
- The real place around each stop
- Around each stele the land takes on the natural geography of that scene’s real place — sea or lake, plain, hills or mountains, the colour of the ground and its common trees — and, where one defines the place, its landform: a volcano, snow peaks, granite domes, a mesa, dunes, a fjord, islands, a rock hill, a gorge or loess terraces. The water near the stop takes the colour of the real river or sea, and the haze the place’s climate. A small globe on the stele marks where it is, with the route from the previous place. Where a city has an iconic building that already stood in the scene’s year, its schematic silhouette rises behind the stop and is named on the card. The land follows today’s terrain and climate as a sketch and the silhouettes are not measured reconstructions. Between stops the river itself stays symbolic.
- A figure board at every stop
- Each board draws the mathematics of that scene. When the boat arrives, the construction is drawn in and the key result rises in red. The drawings are schematic reconstructions, not historical manuscripts.
- Century bands along the banks
- 500–1449 · Stone stele · paper lanterns · single-arch bridge · watermills and villages · lateen boats
- 1450–1749 · Marble stele · iron lanterns · three-arch bridge · windmills and clock-tower towns · sailing ships
Where the century band changes, the boat passes under a bridge of the new band. Villages, mills, factories, pylons and towers stand for the technology of each century, not for any real place or architectural style.